Levan
Elysium
Georgian National Museum | The National Gallery
Oil and acrylic on canvas, 200 × 250 cm / 78 × 98 in, 2021.
Elysium
Oil and acrylic on canvas, 153 x 183 cm / 60 x 72 in, 2016.
Idem et Idem
Oil and acrylic on canvas, 122 × 152 cm / 48 × 60 in, 2024.
Idem et Idem
Installation view, 2024.
Idem et Idem
2019.
The Georgian National Opera and Ballet Theater | Idem et Idem
Oil and acrylic on canvas, 182.88 x 304.8 cm / 72 x 120 in, 2025.
Oblivion (diptych)
Studio view, New York, 2025.
Oblivion
Site-specific video-sculpture installation, 2018.
The System of Objects
Oil and acrylic on canvas, 183 × 153 cm / 72 × 60 in, 2016.
Outside In
Oil and acrylic on canvas, 182.88 x 304.8 cm / 72 x 120 in, 2025.
Limites Incogniti (diptych)
Oil and acrylic on canvas, 182.88 x 304.8 cm / 72 x 120 in, 2023.
Red Horizons (diptych)
Installation view, The Adjara State Art Museum, 2022.
Noli Me Tangere
Oil and acrylic on canvas, 300 × 250 cm / 118 × 98 in, 2022.
Pietà
Exhibition view, 2023.
Ad Infinitum
Video installation, 2018.
The STYX
Ink on paper, 43 × 33 cm (16.9 × 13 in), 2015.
Face
Selected Works
Bio
01/16
Levan Songulashvili is a Georgian-born, New York–based artist whose work investigates the relationship between individual consciousness and collective existence. Born in 1991, as Georgia regained independence amid the final collapse of the Soviet Union, he belongs to a generation shaped by the dissolution of collective structures and the emergence of new cultural, national, and individual identities. Working across painting, installation, sound, and moving image, Songulashvili explores how identity is formed, dissolved, and reconstituted within broader social, historical, and psychological systems.
Read Biography→Levan Songulashvili is a Georgian-born, New York–based artist whose work investigates the relationship between individual consciousness and collective existence. Born in 1991, as Georgia regained independence amid the final collapse of the Soviet Union, he belongs to a generation shaped by the dissolution of collective structures and the emergence of new cultural, national, and individual identities. Working across painting, installation, sound, and moving image, Songulashvili explores how identity is formed, dissolved, and reconstituted within broader social, historical, and psychological systems.
Read Biography→